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Compassionate Voyage
The painting was completed during a six-month inpatient stay at the Bethlem Royal Hospital whilst I underwent intensive compassion-focused therapy for Complex PTSD. My therapist inspired the painting when she explained the discovery of the brain’s neuro-plasticity. Building new neuro-pathways through the application of compassion-focused therapy took me on a painful voyage to learn how to hold my trauma differently in an effort to alleviate my suffering. With every session of therapy, self-reflection and acceptance, these new compassionate neuro-pathways mutually supported each other as they replaced old trauma and threat focused pathways. This progressive approach set me on a compassionate voyage of healing. Using 60 dark and light tones of hand mixed greens the composition has a clear direction of travel. I hope the painting will inspire the viewer to embark on their own compassionate voyage, to reflect on their own suffering, and to find the courage to take small steps towards healing. 150 Limited Edition giclee prints available 15"x20" £160 |
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Compassionate Breakthrough
This painting was conceived during a session of therapy where I was encouraged to leave the battlefield in my mind and walk towards the light. My perfect nurturer, therapist and I held hands. As I counted down from ten to zero we stepped towards the light, feeling the ground beneath us. This was a disorientating experience as my mind warped with painful images and intense emotions, leaving a place that had become part of my inner landscape. At zero we passed through the light and came back to 2018; a 12 year journey. It was an exhausting and deeply painful experience. Again, painted in greens with desert colours and Afghan skies it is perhaps my most technically demanding painting taking over 200 hours to complete. 150 Limited Edition giclee prints available 15"x20" £160 |
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Paper Aeroplanes
Paper Aeroplanes was an image that appeared to me during a session of therapy at the Anxiety Disorders Residential Unit, the Bethlem Royal Hospital (Bedlam). The movement in the painting comes in the form of paper aeroplanes which depict five painful emotions of sadness, anger, shame, guilt and anxiety, trying to rest and be accepted within a compassionate landscape. I have sincerely tried to emotionally feel the paper aeroplanes landing, yet to date the process is met with overwhelming hot gusts of the five painful emotions which act together to give the paper aeroplanes lift so they remain in perpetual motion. Although they haven't landed yet my motivation and commitment offers them courage to do so. Green is the colour of compassion and hence the colour of the landscape. The lotus flower suggests the balance of mind, body, spirit and the potential for compassionate rebirth. A flower of such beauty which blossoms from the mud resonates with my own struggle through trauma whilst striving to write a different ending to the one within which I currently sit. The 28 tiles of the runway and moon halo around the lotus acknowledges the lunar cycle and regulation of emotions. The number 44 at the base of the runway is simply my age when I painted the painting and is a nod toward compass bearings you see on all runways. The window represents my eyes, as eyes to my soul where this scene takes place. 150 Limited Edition giclee prints available 15"x20" £160 |
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Lustful Ruminations
This painting was completed in my room during another admission to the Bethlem Royal Hospital (Bedlam). Rumination is a conjuring trick of the threatened mind. It convinces you that solace and calm are possible through repetitive cognitive reasoning. However, in reality, it prevents you from wholeheartedly opening up to the difficult emotions that lay behind the theme in question. It continually replays images and thoughts in your mind in a forlorn hope of rewriting the past and shaping the future. It inhibits our true compassion to hold our distress without judgement, warmth and wisdom. Lustful rumination is based on an interlocking 12 sided shape. I designed it in such a way that the shape is actually impossible in three dimensions, a tricky the mind, just like rumination. The colour choices are deliberately lustful and reminiscent of Chanel lipsticks. When overwhelmed with trauma and suffering it is entirely natural to ruminate about a better, or indeed, perfect life. A perfect life with the perfect partner to share it with, the perfect job, money and power. In lustful rumination you can avoid life, suffering and all responsibility. Even entertain out-of-reach or forbidden relationships whilst seeking safety, intimacy and love where your desires and needs are met and your wounds healed. I wonder if your Lustful Ruminations are any different to mine? 150 Limited Edition giclee prints available 15"x20" £160 |
War Flag
This is the War Flag of the British Army. It is in the ratio of 5:3 rather than 2:1 like the Union Flag (commonly referred to as the Union Jack).
The words inscribed into the wet paint read, "As bloodied colours are freedom's stain, Shattered limbs and hidden wounds remain". These are my own words and my personal reflection on the legacy of war. The blood shed on the battlefield in making the ultimate sacrifice is freedom's stain. The cost of that freedom marks our battle colours and soaks into our national consciousness. For the Servicemen and Servicewomen who sustain life changing injuries there remains the enduring physical and mental injuries of war. For those that lost a loved one or care for a wounded veteran the hidden wounds often run just as deep. This is as true today as it ever was.
The texture of the original painting is captured beautifully by one of the best Giclee printers in the country.
Only 50 Limited Edition Giclee prints are available with bespoke handmade frames and clear water museum glass made by QED £645.
Originals of this composition can be commissioned upon request. £5,200. Acrylic on canvas.
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Vulnerability
So often we avoid vulnerability or see it as a weakness. Showing true vulnerability requires great courage. Just being "you", trusting you are enough in your perfectly imperfect humanness is a step towards personal authenticity, liberation and an acceptance of your place in our shared common humanity. In fact, it is the beating heart of compassion. This painting is my raised right hand asserting that we all exist and wish to connect with each other. However, the hand is in danger of slipping into the cold water beneath as it feels the fear of expressing a simple need. Expressing our needs, clinical or otherwise, is part of vulnerability. The connection we nurture in overcoming our fears of rejection, judgement and criticism in expressing our needs is vital for us to flourish. At our peril do we only meet the needs of others. This painting is symbolic of the courage we all show in this pursuit of balance. 150 Limited Edition giclee prints available 15"x20" £160 |
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Onward Christian Soldiers
The painting depicts a lone soldier (in brown) marching as to war following his call to duty. The halo (in orange) around the Christ beckons him forward as he marches over the green fields in obedience. In the top corners of the painting are God as the eternal circle, and the Holy Spirit as the wind passing through a window, representing the Holy Trinity. This is a love story on a biblical scale. Whilst the painting deliberately makes a strong reference to the moment of Christ's crucifixion, it was painted with a wider spiritual message in mind. Sacrificial love puts your own wants to one side to serve another. "Greater love has no one than this: to lay down one's life for one's friends." Many servicemen reflect upon their faith at times of conflict and perhaps question the notion of being slain whilst serving their country. In overcoming their own fear they routinely put themselves in harm's way or make the ultimate sacrifice. Sacrificial love is as true today as it ever was. The white crosshairs extending from the crucifix suggest setting your own sights on such love, obedience and sacrifice. 450 Limited Edition giclee prints available 15"x20" £160 |
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Never Ending Story
The inspiration for the painting came from my struggles in coming to terms with Complex PTSD and my subsequent medical discharge from the Army. The initial focus of the painting are the red tears in perpetual rotation set within an eyeglass of a periscope. Just as a periscope restricts the viewer to a rather narrow field of view, I found that I too had become fixated on a limited range of issues surrounding my injury. My prolonged bouts of despair brought about by intense and disturbing rumination about my condition, recovery, future employment and wellbeing became a never ending story playing and replaying in my mind. I have now started to broaden my outlook and explore other areas of life happening all around me. The blue window and the surrounding sunshine in the rest of the painting depict an optimism and appetite for the future. The blue pathway over the moated rampart in green invites the viewer to voyeuristically look into the periscope and perhaps reflect upon what areas of their life they have become fixated on at the expense of the bigger picture. 450 Limited Edition giclee prints available 15"x20" £160 |
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26 Weeks in Bedlam
During my first 26 weeks in Bedlam (Bethlem Royal Hospital) my therapist encouraged me to put compassionate full stops at the end of trauma memories. For so long the same intrusive thoughts and flashbacks had been living rent-free as unwanted guests in my mind. Learning about compassion helped me face distress, tolerate it, and with warmth and non-judgement, I was able to connect with my compassionate self and inner-wisdom and hold my traumas differently. For the first time in 7 years of treatment I put compassionate full stops on the most painful of traumas. Each full stop adorning the window represents a week of therapy in Bedlam. The steps before the window invite the viewer to walk up to the window and see through past trauma and consider the opportunities presented by a values driven life. The colour palette and shape of the window suggest travel to foreign lands, spices, fruits, and dyed fabrics hinting at a growing confidence to look to the future and experience a wider common humanity. Reaching out and sharing our very existence is vital to our well-being and recovery. No need to hide away anymore. 450 Limited Edition giclee prints available 15"x20" £160 |
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Field Justice
The sword in the centre of the painting replaces the figure of Justitia who would typically hold the scales of justice in her left hand. In the military law context and particularly in times of war or armed conflict it is the responsibility of the military lawyer on the ground (represented by the sword) to make decisions and give advice on the legal use of lethal and non-lethal force. The interpretation of the laws of armed conflict, rules of engagement, targeting directives and national laws must be weighed up and balanced against circumstances as they unfold on the ground whilst being mindful of tactical, strategic and political objectives. Justice is therefore delivered in the field by being steadfastly rooted in that environment yet simultaneously retaining the ability to be sensitive to a multitude of factors presented by a fearsomely ambiguous operational dynamic and delivering time and time again pragmatic and apposite decisions and advice. In the background is a Dam with a question of whether it is a river flowing from it or it has been breached? In the Second World War under Operation Chastise the Dambusters breached the Mohne and Eder Dams. Now, further to the Geneva Conventions and Additional Protocols, authorising such a target nowadays would be hard to justify. In the top left of the painting is the moon. The moon is always associated with emotion and of course Field Justice has a direct affect on not only the civilian population but also those engaged as combatants. So the moon watches over the scene as a reminder of the human impact of war. 150 Limited Edition giclee prints available 15"x20" £160 |
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The Ties That Bind Us
Obedient service and sacrifice are just two elements that bind forces together. Discipline, respect for the rule of law, delivery of world class training across all theatres and effective management of our most valuable resource, is fundamental in making the British Army the envy of the world. The Adjutant General’s Corps binds the Army together, perhaps the most subtle of all force multipliers. In this painting six regimental ties are bound together, shoulder to shoulder, cohesively seamless and indivisible. In union with each other around the Cross of Sacrifice, a war memorial so often the focus of our national remembrance, all who serve in the Adjutant General’s Corps can take a moment to reflect upon their own place in our Corps history. The rays of light enveloping the painting suggests a dynamic movement though time. As such, this painting is not merely a reflection of the past, or only a moment to pause in the present, it also looks to the future and celebrates strength, esprit de corps, and unity though the ties that bind us. In memory of all those of our Corps who lost their lives or sustained life changing injuries in Service. Only 10 Limited Edition Prints in the full size of the original 100 x 70 cms with bespoke handmade frames and clear water museum glass made by QED £1,200 |